![how to import media into avid media composer 8 sequence how to import media into avid media composer 8 sequence](http://www.squarebox.com/wp-content/uploads/images/PegasusMXF.png)
- #How to import media into avid media composer 8 sequence how to#
- #How to import media into avid media composer 8 sequence install#
- #How to import media into avid media composer 8 sequence Offline#
Transcripts without timecode stamps are virtually useless when generating subtitles. These timecode stamps should match the timecode in the low-resolution video you provided the transcription team. In order to generate subtitles from your newly transcribed and translated text, you should have your transcription team mark timecode stamps on the transcription at intervals of 5-10 seconds. A low-resolution, timecode-watermarked export of this sequence will suffice for the transcription team. Your interview sequence is simply a sequence that you’ve created in AVID that only includes a single interview for transcription and translation.
![how to import media into avid media composer 8 sequence how to import media into avid media composer 8 sequence](https://img.wonderhowto.com/img/74/76/63475323408499/0/import-media-into-avid-media-composer-5.1280x600.jpg)
These videos should include a timecode burn-in that’s based on your interview sequence timecode. Your transcription team will need low-resolution copies of all interviews you want transcribed and translated. The steps to subtitling your foreign language project.
![how to import media into avid media composer 8 sequence how to import media into avid media composer 8 sequence](http://www.squarebox.com/wp-content/uploads/images/Screen-Shot-2014-04-16-at-10.51.43.png)
This is especially true for foreign-language documentaries with hours and hours of footage that need transcribing, translating, and subtitling. Subtitling a documentary is a time-consuming task.
#How to import media into avid media composer 8 sequence how to#
Maybe Avid Nitris does support exr or higher bit depths since it’s a finishing app(according to wikipedia it does support dpx and 16bit), Avid’s MC should be used as what it is intended - as an editing software.In this tutorial, we’ll show you how to prepare your foreign language content for translation and how to generate subtitles from those translations in AVID. Keep in mind that both ProRes and DnxHD are 10bit only.
![how to import media into avid media composer 8 sequence how to import media into avid media composer 8 sequence](https://clipartart.com/images/avid-media-composer-logo-clipart-3.jpg)
#How to import media into avid media composer 8 sequence Offline#
What you can do is either do an offline edit to determine which frames you really need in a lower quality, then composite and render out into whatever format you whish in one sequence or do your composite, import into Avid and edit then and output in any format Avid is able to export to(Tiff does definetely work).
#How to import media into avid media composer 8 sequence install#
ProRes 4444 is an FCP codec but should be readable for Avid if you install the codec(you can’t write to ProRes though unless you have FCP on the same machine). If I remeber right, DnxHD is the highest quality available, I’m mainly on FCP so don’t take my word for granted. IF Avid imports dpx files without any problems you don’t need to convert anything, because Avid converts anything to the projects codec automatically(unless you use AMA). Maybe if I output dpx or tiff files from toxik I will be able to open them in Media Composer 5and then convert them to ProRes 4444 or DnxHD…